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In-Sight
J. Lynn Campbell’s project, In-Sight, is predicated on the ritualization of time and space. One hundred and fifty white cedars planted in a spiral formation occupy a clearing at the termination of the road. Her choice of coniferous trees reconciles constancy with perpetual regeneration, rephrased in her use of the spiral. A conjunction of the straight line and the circle, the spiral unites masculine and feminine principles, motion and stillness, repetition and renewal.
Maxim
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Faith
The sculptural installation titled Faith is the result of asking the question, “What does faith mean outside a religious context?”
The construction of Faith was completed in 1991. With this work I drew on my interest in symbolism and architecture. The three entrances of a cathedral, one of the principal structures of western society, symbolize faith, hope and charity, and at some future point I anticipate constructing Hope and Charity. It is the interpretation of these beliefs, related not to any particular religious ideology but to a secular reality experienced on a day-to-day basis, that I want to investigate.
Treaty
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